Published on: 25th of May 2021
Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details.
Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimising contrast and readability. However, you can also use them to fine tune the mood of your graphical composition.
Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!
Download the Contralto Specimen -->
| light | regular | demibold | bold | black | light italic | regular italic | demibold italic | bold italic | black italic | |
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 anticollision ligatures Standard ligatures (should be always on). • smart f variants to avoid collisions, • T T ligature, • anti-collision T (rightside), • variants of f and t horizontal bar when next to each other (ff, tt, ft, tf, ttt, fff…) |
 Alternate a (ss01) Stylistic set 01: Alternate lowercase a glyph. |
 Alternate g (ss02) Stylistic set 02: Alternate lowercase g glyph. |
 Alternate j (ss03) Stylistic set 03: Alternate lowercase and uppercase j glyph. |
 Alternate y (ss04) Stylistic set 04: Alternate lowercase y glyph. |
 case sensitive forms Displays a version of the glyph that matches uppercases. Case sensitive glyphs are: ß 0 1 2 3 4 5 6 7 8 9 : ; · • ◦ ‣ ◆ ■ □ ▣ ( ) { } [ ] - – — ⎯ « » ‹ › ¢ ¤ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ⟵ ⟶ ⟷ |
 ordinals Creates ordinal versions for letters a b c d e h i l m n o r s t. If a or o are preceded by a figure and no letter follows, ordfeminine ª and ordmasculine º are displayed instead. |
 arrows (ss06) Stylistic set 06 “Arrows”. Transforms: -> to →, <- to ←, --> to ⟶, <-- to ⟵, <-> to ↔, <--> to ⟷, ^- to ↑, -^ to ↓, ^-^ to ↕, /> to ↗, </ to ↙, \> to ↘, <\ to ↖, -- to ⎯ (double hyphen makes a longer arrow, sizing exactly 2 tabular spaces). |
 contextual alternates Transforms the x letter to the multiply sign (×) when between two figures and/or an extra space. |
 slashed zero Activates slashed-zero alternate |
 lining & oldstyle figures Lining figures: displays uppercase-aligned figures and case sensitive glyphs: ß 0 1 2 3 4 5 6 7 8 9 : ; · • ◦ ‣ ◆ ■ □ ▣ ( ) { } [ ] - – — ⎯ « » ‹ › ¢ ¤ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ⟵ ⟶ ⟷ Oldstyle figures: displays lowercase (default) figures and glyphs. |
 tabular figures & symbols Switches figures and some related glyphs to tabular ones. This feature makes the target glyphs same width and aligns them vertically as they were inside a table. Tabular glyphs are: π … # _ ⎯ ¢ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ ∫ √ µ ∂ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ◊ ☐ ☑ ✓ Glyphs with tabular alternates: 0 1 2 3 4 5 6 7 8 9 . , : ; · " ' ° | ¦ % / \ - (and space). Most of them have case-sensitive alternates too. In this font you’ll also find 3 long arrows ⟵ ⟶ ⟷ with their case sensitive alternate. Their length is exactly twice a tabular. |
 superscripts & subscripts Activates superscript and subscript figures independently. |
 numerators & denominators Activates numerator and denominator figures independently. |
 fractions Real fractions from any [number] slash [number] sequence. |
The lead actress carries the film’s "masala" appeal. While the marketing emphasizes specific "bold" scenes and "reveals," the actual cinematography is often hit-or-miss. The Highlights:
Despite its critical acclaim, the industry faces ongoing challenges. The historical lack of gender diversity behind and in front of the camera led to the formation of the Women in Cinema Collective (WCC) in 2017, a pioneering movement in Indian cinema advocating for safer work environments and gender equality. Internally, the industry constantly battles the rising costs of production against a relatively small native theater-going audience.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. The lead actress carries the film’s "masala" appeal
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
: Early masterpieces were direct adaptations of progressive Malayalam literature. Authors like Vaikom Muhammad Basheer and Thakazhi Sivasankara Pillai provided the source material for foundational films. The historical lack of gender diversity behind and
Phrases like "target verified" mimic the language of peer-to-peer file sharing, torrent networks, or premium adult platforms. It acts as a psychological trigger assuring the searcher that the destination link contains authentic content rather than malware or clickbait. Why Algorithms Generate String-Heavy Traffic
Mohanlal mastered the art of the flawed, relatable common man, blending impeccable comedic timing with intense drama ( Kireedam , Bhramaram ). Mammootty excelled in intense, complex character studies, often portraying rigid, deeply flawed patriarchs or historically significant figures ( Oru Vadakkan Veeragatha , Vidheyan , and more recently, Bramayugam ). This link or copies made by others cannot be deleted
As she grew older, Mallu Aunty's fascination with the world of masalas only deepened. She experimented with various blends, combining seemingly disparate spices to create unique flavor profiles that left everyone who tasted them wanting more.
Malayalam cinema’s actors are revered not just for stardom but for craft. and Mohanlal —often called the “two pillars” of the industry—have each performed in over 350 films, shifting effortlessly from mass entertainers to devastatingly real characters. The new generation— Fahadh Faasil , Parvathy Thiruvothu , Suraj Venjaramoodu , Nimisha Sajayan —has rejected starry trappings, choosing script over image. Fahadh Faasil’s performances in Maheshinte Prathikaaram , Thondimuthalum Driksakshiyum , and Vikram (Tamil) have made him a pan-Indian icon of “weird, wonderful realism.”
The culture of the Mapla (Muslim comedy) and the Syrian Christian wedding have become cinematic genres themselves. For the Malayali living in Dubai, London, or New York, watching a film like Home (2021) or Ayyappanum Koshiyum is a visceral reconnection to the rhythm of their motherland—the sound of the rain, the smell of the earth, the cadence of an insult delivered in perfect Thrissur slang.
