Even today, Going Places (1974) is recognized as a seminal, albeit controversial, work of French cinema. It serves as a stark look at social apathy and hedonism in the 1970s.
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Bruno Nuytten (who would later shoot Jean de Florette and direct Camille Claudel ) gave the film a gritty, naturalistic look, contrasting with the polished studio films of the era.
Their aimless journey takes a turn when they meet Marie-Ange (Miou-Miou), a bored hair salon employee who quickly joins their chaotic life. Together, the trio embarks on a hedonistic odyssey, engaging in unconventional relationships and displaying total contempt for societal conventions, law, and order. The film is episodic, focusing less on a rigid plot and more on the chaotic, intimate, and sometimes disturbing interactions between the characters. Key Themes and Societal Impact 1. The Legacy of May '68 fylm going places 1974 mtrjm kaml fydyw lfth
The story begins with the duo harassing and robbing an older woman. They then steal a Citroën DS for a joyride, but when they return it, the owner, waiting with a gun, shoots Pierrot in the groin. Jean-Claude overpowers the man, steals the car and the gun, and kidnaps a passive, apathetic woman named Marie-Ange (Miou-Miou), who was with the owner.
The film's original title, Les Valseuses , immediately sets a vulgar and rebellious tone. Blier purposely used explicit dialogue, full nudity, and highly provocative sexual dynamics to shock mainstream theatergoers. The movie purposefully blurs the lines between liberation, delinquency, and criminal behavior. 3. Critical Backlash vs. Box Office Triumph
If you want to dive deeper into 1970s European cinema, tell me: Even today, Going Places (1974) is recognized as
Decades later, the film remains divisive. It currently holds a rating of approximately 7.1 out of 10 on IMDb, based on over 11,000 user ratings. While it is no longer as shocking as it once was, it remains a challenging watch for modern audiences, particularly those sensitive to depictions of sexual violence.
Before Going Places , Gérard Depardieu and Patrick Dewaere were promising actors; after the credits rolled, they were icons. The film acts as a explosive introduction to their on-screen partnership. They play Jean-Claude (Depardieu) and Pierrot (Dewaere), two aimless petty criminals who drift through France in a stolen car.
: Stars Gérard Depardieu and Patrick Dewaere in their breakout roles, along with Miou-Miou, Jeanne Moreau, and a young Isabelle Huppert. Bruno Nuytten (who would later shoot Jean de
: Marie-Ange, a jaded and passive hairdresser, joins their journey. She assumes a complex dynamic as their lover, cook, and mother confessor while embarking on her own search for elusive sexual liberation.
The 1974 film Going Places (original title Les Valseuses ) is a French dark comedy written and directed by Bertrand Blier, based on his own novel. It is a defining "buddy movie" that follows two young, anarchic men, Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere), as they travel through France, engaging in hedonistic, immoral, and petty criminal activities. According to IMDb , the film is known for its:
Before this film, Gérard Depardieu was a rising star, but Going Places solidified his status as a powerhouse of French cinema. His raw, physical performance set the tone for his career. Patrick Dewaere also delivered a legendary performance; their on-screen chemistry as a duo of "beautiful losers" is often cited as one of the best pairings in cinema history.
Upon its release, Les Valseuses was a massive box office success in France, drawing over 5 million viewers despite being banned for viewers under 18. Critics were polarized, with many finding the violence and sexual content gratuitous, while others praised its authenticity, energy, and rejection of traditional filmmaking norms.
دليل مشاهدة فيلم Going Places 1974 مترجم كامل بالفيديو والصورة فائقة الجودة