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The challenge was this: for one month, we would stop performing our sadness. We would meet in the real world, in a diner just like the one she worked at, and we would not talk about Elliott Smith or the god-ashes or the fear of the dark. We would talk about the weather, our favorite cereals, the mundane machinery of getting through a Tuesday. No poetry. No profundity. Just the boring, terrifying work of being two actual people in a room with a flickering fluorescent light.