--- Documentary Growing 1981 Larry Rivers Link Better Download Jun 2026

Academic networks like WorldCat can point you toward university libraries that hold rare VHS or DVD preservation transfers of Rivers' video essays for educational use. A Warning Against Blind Download Links

Inside his studios in New York City and Southampton, Long Island.

: In later years, particularly around 2010, the film became the subject of intense debate. One of his daughters, Emma Rivers Tamburlini, publicly condemned the film as "child pornography" and described the filming process as deeply uncomfortable, contributing to her later struggles with eating disorders and the need for long-term therapy. Archive Dispute : Following Rivers' death in 2002, the Larry Rivers Foundation sold his archives to New York University (NYU)

The story of "Growing" is not one of artistic discovery; it is a tragedy. It is the story of two young girls, Emma and Gwynne, who were used as canvases for their father's obsession. The film does not document "growing up"—it documents exploitation.

This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. --- Documentary Growing 1981 Larry Rivers LINK Download

The Larry Rivers Foundation maintains control of the physical tapes but has heavily restricted access out of respect for the family's privacy and legal boundaries.

The Larry Rivers Papers housed at major university research libraries (such as the Fales Library & Special Collections at New York University) contain hundreds of hours of his video diaries, personal audio tapes, and film reels. Researchers can often request on-site viewing privileges.

For the "Growing" aspect specifically, Rivers was obsessed with the passage of time. He famously filmed his two adolescent daughters (with their consent, though controversial by today's standards) for his art piece Growing , focusing on their physical development. When documentary crews revisited this, it created a jarring, fascinating tension between 1970s artistic freedom and modern sensibilities. This tension is exactly what drives the current engagement metrics.

It is important to recognize that is not merely a rare art film—it is a work that has been explicitly labeled as child pornography by one of its subjects and deemed obscene by an assistant district attorney in Manhattan. While the film has not been formally prosecuted, anyone considering seeking it out should be aware of the legal and ethical implications. In many jurisdictions, possession of material depicting minors in sexually explicit contexts is illegal, regardless of the creator's intent or artistic merit. Academic networks like WorldCat can point you toward

Organizations dedicated to preserving avant-garde cinema often hold rental or educational screening rights for these films.

Captures the atmosphere of the NYC art scene during that era. 🔗 Accessing the Documentary

He filmed his sons nude for paintings, his mother receiving an enema, his ex-mother-in-law in the nude, and even a sex-change patient's post-surgical anatomy. For Rivers, the camera was not a voyeuristic tool but an instrument of artistic inquiry—one that, in his view, justified nearly any subject matter.

The background of the film features raw footage of downtown Manhattan loft culture, casual drop-ins by famous contemporaries, and the gritty, unmonetized art world of the early '80s. One of his daughters, Emma Rivers Tamburlini, publicly

Larry Rivers was a true American original, a pioneering artist who defied categorization and convention throughout his life and career. Born in 1923 in Brooklyn, New York, Rivers was a painter, sculptor, filmmaker, and writer who made an indelible mark on the art world. His innovative and often provocative works continue to inspire and influence artists to this day. In 1981, a documentary film about Rivers' life and art was released, offering a unique glimpse into the mind and creative process of this multifaceted artist.

In the digital age, queries appended with "LINK Download" are common among researchers, students, and art enthusiasts looking for immediate access to rare footage. However, when dealing with avant-garde video art and independent documentaries from 1981, direct download links rarely exist on mainstream public platforms due to several critical factors:

Rivers edited this footage into a 45-minute film in 1981, intended for public exhibition. The Fallout:

Documentaries and video art pieces from this specific period in Rivers' career often focused on: