The Raid Redemption Indonesian Audio __full__ ✦ Recommended
The Raid: Redemption is famous for its bone-crunching sound design. In the original audio mix, the Foley work—the sound of breaking bones, machetes scraping against concrete, and close-quarters gunshots—is mixed precisely to complement the Indonesian dialogue.
The original Indonesian track "excels with precise imaging, impactful low frequency details, and rich, well-integrated dialogue, creating a thrilling home theater experience" that simply cannot be matched by the English dub.
Tech specs * 1h 41m(101 min) * Sound mix. Dolby Digital. Datasat. SDDS. * Aspect ratio. 1.85 : 1.
Language carries cultural weight. The Raid: Redemption is deeply rooted in the underworld of Jakarta, and the Indonesian language (Bahasa Indonesia) provides a specific tonal texture that English cannot mimic.
For those who want to experience the music beyond the film, the original scores are available for purchase. The Indonesian score for The Raid: Redemption has been released on vinyl as The Raid (Complete Original Indonesian Score) by Aria Prayogi and Fajar Yuskemal. For The Raid 2 , a 24-track album featuring over an hour of music, including the original song "Hush" by Indonesian jazz artist Arti Dewi, is available on CD, digital, and vinyl formats. the raid redemption indonesian audio
Select Indonesian (Original) — usually available in DTS-HD Master Audio 5.1 or Dolby Digital 5.1.
When The Raid: Redemption exploded onto the global action scene in 2012, it instantly reset the bar for martial arts cinema. Following an elite police squad trapped in a nightmarish tenement block, the film’s relentless pacing and breathtaking choreography left audiences stunned. However, for those looking to experience the film as it was intended, the choice of audio is crucial. While various language tracks exist, the original Indonesian audio—usually presented in a potent 5.1 DTS-HD Master Audio mix—is the definitive way to watch this modern classic.
While the film achieved global commercial success, international distribution created a divide in how audiences experienced it. Specifically, the choice between the original Indonesian audio track and the English-dubbed version drastically alters the film's tone, impact, and cultural authenticity. For the definitive viewing experience, the original Indonesian audio remains mandatory. The Flaws of the English Dub
If you want to experience the film exactly how audiences in Jakarta did, you need to navigate your media settings carefully. The Raid: Redemption is famous for its bone-crunching
Features a score composed by Mike Shinoda (of Linkin Park) and Joseph Trapanese. This version leans heavily into hard-hitting electronic beats, synth pads, and industrial rock rhythms designed to appeal to Western youth culture.
While the film’s jaw-dropping Silat choreography, claustrophobic cinematography, and relentless pacing earned it universal acclaim, international audiences often face a critical choice when watching it: English dubbing or the original Indonesian audio track?
The sounds of the environment—creaking floors, shattering glass, echoing gunfire—feel more authentic when paired with the original, frantic Indonesian dialogue.
Action movies are driven by physical movement, but emotional stakes are anchored by voice delivery. Watching The Raid with its original Indonesian dialogue provides essential context that dubbing or altered sound mixes can easily strip away: Tech specs * 1h 41m(101 min) * Sound mix
Availability of the original Indonesian audio varies significantly by platform and region:
When streaming on platforms like Amazon Prime, Apple TV, or Netflix, check the audio settings icon during playback.
The English dub of The Raid: Redemption has been widely criticized for being "absolutely awful," featuring poor lip-syncing and performances that don't match the intense onscreen action. When the actors’ voices do not match their faces, the suspension of disbelief is broken, taking away from the stunning performances of Iko Uwais and Yayan Ruhian.
The film stars an ensemble of Indonesian actors, including Iko Uwais, Joe Taslim, Yayan Ruhian, and Doni Alamsyah. The emotional weight, intensity, and cultural nuances of their performances are intrinsically tied to the Indonesian language. As one reviewer put it, the English dubs "remove any personality which came from the original performances done in Indonesian". The raw terror in a whispered prayer before a raid, the guttural fury of a battle cry, the weary resignation of a man pushed beyond his limits—these elements are best experienced in their original linguistic context.