A Bhojpuri-language action thriller directed by Subba Rao Gosangi, starring Rishabh Kashyap and Richa Dixit .
For ten years, that threat has haunted Raghav. He has worked double shifts, bought a house he couldn’t afford, and suppressed his love for rock music to appear "mature." Suno Sasurji pivots when Mr. Sharma, instead of getting angry, laughs. He then reveals his own truth—he was once a son-in-law too.
The film features a small cast typical of digital short productions: Plays the lead role of the wife ("Suno"). Pintu Kumar: Plays the husband. Amit Kumar: Plays the father-in-law.
The settings and conflicts are highly organic, making viewers feel like they are watching a slice of their own family life. Production and Reception Suno Sasurji -2020- Short Film
Clocking in under the standard runtime of mainstream features, the film utilizes efficient storytelling:
His wife, Jyoti, is away visiting her parents, leaving Raghav alone with their toddler. The film’s catalyst is a phone call. Raghav must call his father-in-law, (played by veteran actor Ishteyak Khan), to wish him a belated "Sasurji Divas" (a fictional Father-in-Law’s Day).
streaming platform. It explores provocative themes of family betrayal and secret desires, centering on a complex household dynamic between a wife, her impotent husband, and her father-in-law. Plot Overview A Bhojpuri-language action thriller directed by Subba Rao
Kunal Mehta and Akash Lapasiya led the direction team. Where to Watch
The narrative of Suno Sasurji revolves around complex, taboo family dynamics and unfulfilled desires within a traditional household setup.
The title Suno Sasurji (Listen, Father-in-Law) immediately sets the tone. It invokes the traditional hierarchy of the Indian joint family, where the father-in-law is the undisputed patriarch and the daughter-in-law is expected to be subservient. Sharma, instead of getting angry, laughs
The narrative typically leverages the traditional friction or unique bonding between a son-in-law ( damad ) and his father-in-law ( sasurji ). In Indian societal structures, this relationship is historically formal and loaded with expectations. Suno Sasurji subverts or highlights these tropes by placing the characters in everyday situations that force honest, humorous, or emotionally charged interactions. Micro-Storytelling Technique
Indian cinema has historically portrayed the father-in-law in two ways:
Has anyone else seen this? What are your thoughts on the ending? Let’s discuss! 👇