Set in Nanjing around the winter of 1900, the film follows a melancholy Japanese writer named Ryuichi Okagawa. While working as a correspondent in China, he battles severe chronic migraines and professional stagnation. He finds solace when he meets a young, devoutly Catholic Chinese woman named Song Jinhua (Kam-fa).
The film received significant critical recognition at the . Yasuko Tomita won the Best Actress Award , and director Tony Au won the Best Artistic Contribution Award . It was also nominated for Best Art Direction and Best Costume & Make Up Design at the 15th Hong Kong Film Awards .
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To support her family's farm, Jin-Hua's parents sell her into prostitution. In a cruel twist of fate, Okagawa, despite his genuine feelings for her, is already married in Japan—a fact he conceals, leading to a "marriage" in China that is ultimately a form of bigamy.
The screenplay, written by Joyce Chan, is an adaptation of a provocative 1920 short story by the legendary Japanese author (famed for writing Rashomon ). Akutagawa's literature frequently explored the friction between Western theological concepts—such as Catholic guilt and martyrdom—and historical Asian social structures. Plot Narrative Set in Nanjing around the winter of 1900,
As her health deteriorates rapidly due to disease, her sanity begins to fracture. She places her emotional survival on her profound Christian faith, experiencing hallucinations where she blends her memory of Okagawa with the image of Jesus Christ. Years later, a guilt-ridden Okagawa returns to China in a desperate attempt to rescue her, only to find her beyond saving. The film heavily explores: Guilt, abandonment, and moral decay
Directed by Tony Au and based on a short story by the renowned Japanese author Akutagawa Ryunosuke , the film is set in Nanjing during the winter of 1900. It explores a tragic romance that blends themes of religious devotion, sacrifice, and the decay of human connection. Key Details Tony Au Ting-Ping. Stars: Tony Leung Ka-fai and Yasuko Tomita . The film received significant critical recognition at the
As their relationship deepens, a strange intimacy develops. Hasegawa, who is cynical and struggling with his own sense of worth, starts to see Jinhua as a form of salvation. He begins to project his spiritual needs onto her. The central conflict of the story revolves around a series of hallucinations or spiritual visions. Jinhua believes she has seen Christ, or that she is being visited by the Savior. Hasegawa, suspecting these visions might be manifestations of illness or his own psychological influence on her, struggles to determine what is real.